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Only the title of this extraordinary poetic satire is casual and innocent. The romantic problems of the leads (Joel McCrea and Claudette Colbert) get shoved aside by the secondary characters. Directed by Norman Z. McLeod; produced by Arthur Freed, for MGM. With Natalie Wood as Maria, Richard Beymer as Tony, and Rita Moreno, George Chakiris, Russ Tamblyn, Eliot Feld, Gus Trikonis, Ned Glass, John Astin, Bill Bramley, and Simon Oakland. She was the most powerful, loved and hated film critic of … Set in an Ozark community, this lampoon of television evangelists is a piece of rollicky backwoods Americana. Melanie Griffith and Matthew Modine are the San Francisco lovers who fix up a Victorian house (on Potrero Hill); Michael Keaton is the sicko scam artist who takes over one of their two rental units and calls the police when they try to evict him. Cinematography by Claude Renoir; music by Joseph Kosma. In French. What She Said: The Art of Pauline Kael (2019) Nell Minow . A Kingsgate Film, released by De Laurentiis. In the Veidt-Ivan sequence, which was obviously a major influence on Eisenstein's IVAN THE TERRIBLE, Ivan is a jokester-poisoner who enjoys presenting his victims with hourglasses timed to run out at the precise moment of their deaths; one day he discovers an hourglass labelled "Ivan." The picture goes much further--sometimes majestically, sometimes with surreal details that suggest an affinity between Godard and Buñuel, sometimes with methods and ideas that miss, badly. Walter Hill's spectacle takes its story from Xenophon's Anabasis and its style from the taste of the modern urban dispossessed--in neon signs, graffiti, and the thrill of gaudiness. Though made in 16 mm, for Italian television, this extraordinary work--pungent and carnal, and in faintly psychedelic Romanesque color--took the two top prizes at Cannes (the Golden Palm and the International Critics' Prize). The ingenious author, T.E.B. Boy (Al Pacino) meets girl (Kitty Winn), but he is a heroin addict and she becomes one. Paul Lukas is the European Underground leader who brings his American wife (Bette Davis) and three children home to the Washington mansion of her mother (Lucile Watson). It doesn't seem weighted down with talk, like most of the others, and though a trifle slow in spots, it has a very satisfying … Peter Sellers plays a bungling actor from New Delhi who accidentally blows up an expensive Hollywood set. With Joe Don Baker, who gives a powerful performance as Pusser, the gifted Elizabeth Hartman as Mrs. Pusser, and Rosemary Murphy, Gene Evans, Brenda Benet, Felton Perry, Kenneth Tobey, Lurene Tuttle, Ed Call, and Noah Beery, who acts Hollywood-cornpone-Southern. If ever there was a wrong actor for a man of great spirit, it's McQueen; as Robert Mitchum once remarked, "Steve doesn't bring too much to the party." Movie Reviews Great Movies Collections TV/Streaming Features Chaz's Journal Interviews Cast and Crew Pauline Kael Find on IMDB. On average, this critic grades 1 point lower than other critics. For a more extended discussion, see Pauline Kael's book Reeling. A Morgan Creek Production, released by 20th Century-Fox. From a script by Lawrence Lasker and Walter F. Parkes. Colbert, travelling by train, becomes involved with a bunch of drunken millionaires--members of the "Ale and Quail Club," on board with their hounds and guns--who stage an informal skeet shoot in the club car and demolish the glassware. Read some of the reviews on … Also with Leopoldo Trieste. She performs staggering melodramatic tricks in … Watch on the Rhine US (1943): War/Drama 114 min, No rating, Black & White, Available on videocassette . The film enters into the spirit of urban-male tribalism and the feelings of kids who believe that they own the streets because they keep other kids out of them. For a more extended discussion, see Pauline Kael's book Hooked. https://alexsheremet.com/pauline-kael-one-films-worst-ridiculous-critics There is the choreographer Jerome Robbins (who conceived the stage musical) to convert the street rumbles into modern ballet--though he turns out to be too painstaking for high-powered moviemaking and the co-director Robert Wise takes over. THE GODFATHER: ALCHEMY – Review by Pauline Kael. An unusual and relatively little known fable of love in a time of destruction, directed by John Huston. For a more extended discussion, see Pauline Kael's book State of the Art. (0-100 point scale) Pauline Kael's Scores. When we next see the boy, 10 years of sweat and exercise have turned him into a strapping 6 feet 6 inches of solid muscle--muscle even between his ears. She is regarded as one of the most influential American film critic of her … Lillian Gish is the girl betrayed by Lowell Sherman and eventually rescued from an icy river by Richard Barthelmess. Cinematography by Andrew Laszlo; art direction by Don Swanagan and Bob Wightman. The characters and their problems don't make much imprint on a viewer; if you can't remember whether you've seen the picture or not, chances are that you did and forgot it. A Malpaso Production, for Warners. It encompasses way too much, and it never goes very far into the issues it raises, but the messy collision of energies keeps a viewer feeling alive. To find a movie title, click on a letter. Find on Wikipedia. There are versions in French and in Italian. For a more extended discussion, see Pauline Kael's book I Lost it at the Movies. Henry Cornelius directed; music by Georges Auric. Lulu is the sexually insatiable female, the archetype of voracious, destructive woman. Pauline Kael' Reviews by antoniomendes1222 | created - 14 Jul 2014 | updated - 23 Nov 2014 | Public Refine See titles to watch instantly, titles you haven't rated, etc. Directed by the immaculately literal-minded Franklin Schaffner; the script, by Dalton Trumbo and Lorenzo Semple, Jr., is based on the book by Henri Charrière. She performs staggering melodramatic tricks in order to get a big confrontation scene; Dashiell Hammett is credited with the screenplay, but from the theatrical look and sound of things he can't have changed much. There are extraordinary passages, such as a bourgeois wife's erotic confession and a long virtuoso sequence of tracking shots of cars stalled on the highway, with the motorists pressing down with all their might on their car horns, which sound triumphant, like trumpets in Purcell. For a more extended discussion, see Pauline Kael's book Deeper into Movies. Audiences giggle at bits here and there, but not at the sequence in which she refuses to part from her dead baby. She's like a cool, beautiful, innocently deadly cat that people can't keep their hands off. Bandapaddhay, became known as The Apu Trilogy. Also with Ann Todd, Louis Jourdan, Charles Coburn, Isobel Elsom, and Leo G. Carroll, who are mostly miserably miscast. Consider the feat: first you take Shakespeare's Romeo and Juliet and remove all that cumbersome poetry; then you make the Montagues and Capulets modern by turning them into rival street gangs of native-born and Puerto Ricans. United Artists. Herself (archive footage) Blog Posts . For a more extended discussion, see Pauline Kael's book When the Lights Go Down. Let me make a man of you!" With Michael Gough, John Hallam, and Robert Lang. Here, the film's intentions look wobbly: for example, Pearson's periodic reliance on cut-in reaction shots of the townspeople is an amateurish embarrassment. All's right with the world--a man's world--except for their miserable, finicky, little 10-year-old son (Bryan Madorsky), who won't eat his meat to grow up as big and strong as Daddy. In Italian. Besides, Americans don't move their mouths right for that British chat. Directed by Jerry Schatzberg, from the script by Joan Didion and John Gregory Dunne, based on a novel by James Mills. Louise Brooks, a great--almost impersonal--beauty who set styles in the flapper period, and whose straight hair and bangs were imitated all over the world (and were used as the model for the Dixie Dugan comic strip), left Hollywood in 1928 at the height of her career and went to Germany for the role of a lifetime. … James Horne directed. Vestron. Silent. One of the giddiest and most chaotic of Preston Sturges's satiric orgies. For a more extended discussion, see Pauline Kael's book Reeling. His life begins to resemble paranoid fantasy--which, the movie suggests, is what life is for people who live in a corrupt society. It's a promising beginning--too promising for what follows. Produced by Sidney Franklin, for MGM. Mississippi Burning US (1988): Historical/Drama 125 min, Rated R, Color, Available on videocassette and laserdisc Set in Mississippi in the summer of 1964, it opens with a fictionalized re-creation of the murder of the three civil-rights workers--James Chaney, Andrew Goodman, and Michael Schwerner--but it isn't … Visually extraordinary, but the meaning appears to get lost in the vivid pop color, the daring tricks of style, and the profusion of great images--in one scene books are piled up in heaps on the floor of a room, like the Roman ruins outside. The French version has considerably more, although it is far from a success. Gabriele Ferzetti (the weak hero of L'AVVENTURA) is the politician who knows how to get along, and Irene Papas is scarily effective as a survivor--at the end, in her white wedding dress, her black eyes shining, she seems as strong as corruption. Cinematography by Subrata Mitra; music by Ravi Shankar. For a more extended discussion, see Pauline Kael's book Deeper into Movies. Released by Cinerama. She was one of the most influential American film critics of her era. (A much better British version came out in the early 50s under the original title.) At her best, Pauline Kael was everything a film critic should be: passionate, knowledgable, in love with the movies and writing about them, willing to defend her reviews, and vicious. CinemaScope. Too gentle. Movies; TV; Average review score: 63: Highest review … Features The Great Performances of 2020. Blurry Timothy Bottoms, who looks like a romantic anarchist who has lost his bombs, as a first-year law student at Harvard, and John Houseman as the professor he idolizes. This first film by the masterly Satyajit Ray-possibly the most unembarrassed and natural of directors-is a quiet reverie about the life of an impoverished Brahman family in a Bengali village. The material has been treated not as if it were an escape story but as if it were the escape story. There's even a heavenly choir. With Pierre Bertin, Elina Labourdette, Magali Noel, Jean Richard, and Juliette Greco. (The Wedekind material was first filmed in 1919 with Asta Nielsen; the most recent version was probably the 1962 LULU with Nadja Tiller.) 15 of Pauline Kael… For a more extended discussion, see Pauline Kael's book Taking It All In. Sturges's comic invention soars, but the picture is too wild to be sustained; still, it's a joy, despite the lulls of waggish humor. In its period this was one of the most popular English imports, though it really isn't very lively. Lukas, repeating his stage role, won an Academy Award; Davis is subdued and unexciting. Cinematography by Gordon Willis; music by John Williams; based on a novel by John Jay Osborn, Jr. 20th Century-Fox. Ranks with the talents of Frank Sinatra Nolte plays a holdup man serving `` without. Wary, expecting the worst crime is to be a thriller innovative, the Yorker... Off at all bursting with energy discussion, see Pauline Kael 's book I Lost it at the and. Were a form of institutional advertising that paid for itself by Pauline Kael 's book Hooked sexually female... And Sergio Tofano Kael ’ s most Passionate reviews, from ‘ Bonnie and Clyde was in... Falconetti 's Joan may be the finest performance ever recorded on film of 67 % on average, critic! Kael retired from ‘ Bonnie and Clyde ’ to ‘ Taxi Driver ’ Thumbnails romance, is a... 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